Hyperlapse: turning Google Street View into movies. Image: Screenshot/Webmonkey.
Hyperlapse is quite simply the coolest thing we’ve seen on the web in quite a while. Not only is it creative and beautiful, it’s a great reminder that there are still a few APIs left out there that allow you to make cool stuff.
What’s social media without names? Turns out, if you strip away the names and replace them with just colors, for example, you end up with a kind of pure egoless information that is, in many ways, more engaging than the original.
Uncertain Rainbow is a project from developer Chris McDowall that reformats your Twitter timeline, replacing everyone’s name and avatar with simple blocks of color. The result is still Twitter, but without any egos.
As McDowall writes: “You might be conversing with … anyone. A pure relationship of thought and humour… No pressure to duty-follow, or send a lame reply in response to a slightly-too-much @message.”
To check out Uncertain Rainbow, just head to the site, grant the app permission to access your Twitter timeline and behold the egoless rainbow.
Baseball season is already well under way, but it’s never too late for another site about America’s favorite pastime — especially when it’s as awesome as the beautiful Eephus League Magazine.
Even if you have no idea what the name means — and fear not, even some baseball fans aren’t familiar with the Eephus pitch since it isn’t throw much (though current Red Sox reliever Vicente Padilla has something like an Eephus pitch) — the site is well worth a visit for its gorgeous layout and design.
The Eephus League Magazine is written and produced by web designer Bethany Heck, but if the interface and navigation looks slightly familiar it’s probably because the underlying code is the work of Ian Coyle, creator of Nike’s Better World site, which we featured last year.
Since then Coyle has also released Edits Quarterly, an online magazine of photography and short films. Edits is what inspired Heck to put together The Eephus League Magazine. And it’s not hard to see why, with Edits Coyle managed to create something even the so-called pros of the magazine publishing world can’t seem to make — a digital magazine that doesn’t suck.
In the end the experience of both magazines is different enough to catch your eye, but not so much so that it overwhelms the content. But don’t take our word for it, head over to Eephus and be sure to check out Edits Quarterly as well.
Dutch artist Sebastien Schmieg has elevated the Google Image search from its humble intent, creating a short film that strings together a series of image searches. The result oscillates between the prosaic and profound, and feels more like a grand homage to humanity than a collection of random images.
To create the image sequence Schmieg fed a single transparent PNG into Google Images and used the “visually similar” feature to recursively loop through the results. Schmieg’s movie of the results, entitled Search by Image, Recursively, Transparent PNG, #1, is a (slightly NSFW) truly hypnotic, algorithmic tour of life as Google Images knows it.
In all there are some 2,951 images in the video. The “visually similar” option in Google Image Search tends to get stuck in loops using it the way Schmieg did so if an image had already been used in the sequence, he would skip to the next image in the results. But otherwise the sequence is entirely algorithmic. Beware pareidolia.
For more info about the movie and some other, similar efforts, be sure to check out Schmieg’s website.
The tech press is abuzz, debating the merits and failures of the new (new new?) Twitter web and mobile designs.
If you’re like most, you aren’t even seeing Twitter’s new website just yet, so if you’d like to contemplate something a bit more fun on a Friday morning, consider what Twitter might have looked like had it been around in 1997.
You might remember 1997, the heady early days of web design — 1-pixel spacer images, animated gifs, tables with gray borders and a magical new idea called “cascading stylesheets.”
How would Twitter have looked in that world? We’ll never know, but thanks to a new art project dubbed “Once Upon” you can see what Facebook, YouTube and Google+ might have looked like had they been around in 1997. Once Upon was created by artists Olia Lialina and Dragan Espenschied, who describe the project as “three important contemporary web sites recreated with the technology and spirit of late 1997, according to our memories.”
That’s right, Facebook, YouTube and Google+ redesigned in the spirit and look of 1997. As an added bonus the demo site has been set up to limit bandwidth at a 1997-esque 8 kB/s so it loads just as painfully slow as it would have on dialup.
Naturally all three sites are “best viewed with Netscape Navigator 4.03 and a screen resolution of 1024×768 pixels, running under Windows 95″ (that resolution actually seems a bit large for 1997, but that’s okay). If you can’t find a Windows 95 machine in the closet fear not, the demo site will work in any web browser that supports frames.